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Bookish Treasures Relaunch - With Giveaway!

25 Oct 2015
Hello! As you have likely noticed (unless you are new here, in which case, welcome!) there have only been a few incredibly infrequent posts on Bookish Treasures for a while now. The past few months (in fact the past year +) have been very busy for me and recently culminated in completing an MA in Publishing, moving to London, and starting my first full time job at a traditional publishing company.

It is incredibly exciting to now be living in the heart of bookish England and, after a few months, I have started to find my feet and get settled enough to feel like I can pick up blogging again. Things will be changing slightly from how they used to be, but expect lots of recommendations, discussion posts, reviews, and posts from both authors and other industry professionals. Coming up soon is an interview with my all time favourite author!

If you want to get involved with Bookish Treasures in some way then please get in touch. Authors, assistants, publicists etc. please do read my authors/publishers page before contacting me about any potential reviews or features as my policies have changed slightly.

In celebration of finally being back and blogging again, I have two giveaways that will be running for the next month, one big one for UK residents and one that is open internationally so that non UK-ers don't have to be left out.

UK Giveaway


One surprise box of books and swag (mainly YA's). Now the contents are a surprise partially because I haven't decided exactly what will be included yet! However I promise that it will be awesome: think multiple books, some of which will be signed, and some fun swag.

Due to shipping costs, this giveaway is open to those with a UK postal address only, however I have an international giveaway further down!

a Rafflecopter giveaway

International Giveaway


One book of your choice up to a value of $10 from the book depository.

a Rafflecopter giveaway

Winners for both giveaways will be selected in late November and prizes will be sent out in early December.

Feature Friday - The Cambridge of House Of Windows

14 Aug 2015
Feature Friday is a feature on Bookish Treasures that spotlights an author through either a guest post or interview so that they can share something special about their books or their path to publication.

Today's feature is a guest post from author Alexia Casale whose most recent novel House Of Windows has just released.

 

House Of Windows by Alexia Casale



Synopsis

'The body is a house of many windows: there we all sit, showing ourselves and crying on the passers-by to come and love us.' Robert Louis Stevenson

Nick hates it when people call him a genius. Sure, he's going to Cambridge University aged 15, but he says that's just because he works hard. And, secretly, he only works hard to get some kind of attention from his workaholic father.

Not that his strategy is working.

When he arrives at Cambridge, he finds the work hard and socialising even harder. Until, that is, he starts to cox for the college rowing crew and all hell breaks loose...


Goodreads | Amazon | Amazon UK

The Cambridge in House Of Windows


I’ve spent time in the countryside around Cambridge since my teens. Both my parents travelled a lot so periodically I would decamp to my very kind (and much put upon) aunt and uncle on the border of Essex and Cambridgeshire. I’d largely refused to go to school since I was 13, so swapping houses was less of an issue than it might have been. Off I’d go to my poor beknighted relatives only to promptly disappear on adventures. Where does this path lead? What’s behind those trees. Ooooo, pretty flowers – are there more? What a lovely chimney! And so on. (I also discovered the local sewage works, so it wasn’t all ‘romance of the wild’.)
 
After school, I was lucky enough to get into Cambridge – the first person from my College ever to do so. It was like stepping into a book. Like living in a stately home. It was a privilege and an honour and so intensely dream-like I still can’t quite believe it happened. Whenever I go back I look up at my old Trinity Hall Front Court window and try to persuade myself that I lived there – me! It doesn’t seem possible. But that is what Cambridge I, at least in part: a leap into the past as well as into your own future. I still dream of how vividly I felt the need to hold on to the time ticking away. How deeply I felt the need to appreciate every last second. How important I knew it was not waste or squander or ignore any part of it.
 
But life is always more than where you live, however grotty or glorious. The physical world of the University is joy in solid form: in stone and brick and earth and wood and petals and water. But it’s still the external world and no amount of beauty is enough to fill a person’s internal world, however grateful they are for what they have.
 
That is one of the key things I wanted to capture in Nick, the protagonist of House of Windows. That and the juxtaposition of the wonder of the University buildings and grounds to its human side. Modern Cambridge University is an awkward mix of the cutting edge and the traditional. The result is a lot of out-and-out silliness: an entire language that you have no choice but to learn and use because otherwise you’re marked as an outsider – and excluded as one. It doesn’t matter if you think the whole thing is stonkingly stupid: almost everyone does. You quickly learn there’s a silent agreement that everyone will play along: that you’re in it together, being a bit ridiculous but being part of something. The thing that makes it palatable is that over-time the bigoted parts of Cambridge’s traditions are being worn away and so it’s more like a series of daft but harmless in-jokes. And it’s quite nice to know all the in-jokes at a party. Especially if you’re a lonely nerdy weirdo freak – as most people at Cambridge are. I wanted to show that Nick sees all these strange rules and traditions for what they are – but at the same time, views them with fond disdain. That’s what being a modern Cambridge student is about: donning silly robes and laughing with a bunch of other people wearing the same as you all stand about being daft together in one of the most beautiful places on earth.
 
One of the ways these things come out is in the particular type of ‘humour’ you find at Cambridge. It’s almost always a bit too clever for its own good. And in the case of some people, it’s out and out offensive. But most of the time it’s just like everything else – a series of silly rather than truly funny in-jokes that become funny because you’re on the inside: for once, you’re party of the club. You get it. And I wanted to capture that because it is so much a part of being a member of the University. Not everyone at Cambridge is an antisocial loner, but almost everyone has had a rough time at school at some point because of their intelligence and/or academic ambition, so Cambridge is full of people who at a social level want to be part of a crowd. We’re also people who spend a lot of time being serious and studious – and often punished for it – so it’s a relief to find somewhere you be as silly as possible.
 
It’s against this backdrop that Nick tries, and often fails, to enjoy being a student. He’s spent years hoping that at Cambridge he’ll finally find like-minded people, but it doesn’t prove easy, given that he’s still only fifteen. I expect lots of people are like Nick – like me – in looking forward to university as the place everything will fall into place, but like expectations of first love university isn’t an instant pathway to easy friendship or anything else (except alcohol). So Nick continues to find himself lonely in a crowd, an issue not helped by the fact that he has to ‘live out’ because of his age: unlike everyone else who has rooms in College (or Halls of Residence), Nick lives a mile away in a house his father has just bought as the new ‘family home’. Only they’re not much of a family so it’s not much of a home. It’s just another very nice place to spent his time. The beauty of Cambridge lifts his spirits but there’s always a melancholy edge to it not just of time fleeting, but because there’s no one to share it with. Nick’s situation may be unusual, but his feelings of hope and disappointment, joy and loneliness, are very much part of the student experience for almost everyone at some stage or another. As Nick slowly comes to see, maybe his situation as unique as he always thought. And maybe he isn’t quite so strange and different as he feels.
 
University is a time and place for learning new things and ‘finding yourself’, but also for discovering that other people’s lives may look very different on the surface, but feelings are pretty much universal. After all, growing up is only partly about coming into our own as unique individuals: it’s also about realising we’re not as different on the inside as we often assume.

 

About the Author

 
A British-American citizen of Italian heritage, Alexia is an author, editor and writing consultant. She also teaches English Literature and Writing.

After an MA in Social & Political Sciences (Psychology major) then MPhil in Educational Psychology & Technology, both at Cambridge University, she took a break from academia and moved to New York. There she worked on a Tony-award-winning Broadway show before returning to England to complete a PhD and teaching qualification. In between, she worked as a West End script-critic, box-office manager for a music festival and executive editor of a human rights journal.

She’s not sure which side of the family her dyslexia comes from, but is resigned to the fact that madness runs in both. She loves cats, collects glass animals and interesting knives, and has always wanted a dragon.

Alexia is represented by Claire Wilson of Rogers, Coleridge & White.

Her debut novel, The Bone Dragon, is published in English by Faber & Faber, and in German by Carlsen.

Review of Second Position

12 Aug 2015

Synopsis

Four years ago, a car accident ended Zedekiah Harrow’s ballet career and sent Philadelphia Ballet principal dancer Alyona Miller spinning toward the breakdown that suspended her own. What they lost on the side of the road that day can never be replaced, and grief is always harshest under a spotlight...

Now twenty-three, Zed teaches music and theatre at a private school in Washington, D.C. and regularly attends AA meetings to keep the pain at bay. Aly has returned to D.C. to live with her mother while trying to recover from the mental and physical breakdown that forced her to take a leave of absence from the ballet world, and her adoring fans.

When Zed and Aly run into each other in a coffee shop, it’s as if no time has passed at all. But without the buffer and escape of dance - and with so much lust, anger and heartbreak hanging between them - their renewed connection will either allow them to build the together they never had... or destroy the fragile recoveries they've only started to make.

Goodreads | Amazon | Amazon UK


Review

It is hard to find the right words to do justice to just how much I loved this book and how perfect it was. Katherine Locke has personal experience with many of the issues her characters have in the book (though as far as I know she does have two legs) and this really shows in how perfectly they are portrayed and how everything seems to come from the heart.

Lyrical and haunting, Katherine's writing perfectly captures the innermost thoughts and feelings of the characters. Aly and Zed were both simply fantastic to read about. They each have struggles and demons that they have to deal with and the conflicts they deal with seemed so real. As a couple they aren't perfect but have a spark that really makes you root for them and want them to get as close to a happily ever after as they can manage.

Second Position follows many traditional romance tropes but also has much to make it unique. I can honestly say that I cannot think of many (if any other than this!) featuring one main character with multiple mental health issues where the second is a former ballet dancer whose career was cut short when he lost his leg in a car accident. This is a second chance romance that contains many of the diverse elements that people seem to be begging for in books right now.

Having danced all my life and for several years wanting to do it professionally, I always love reading books that feature ballet. Second Position is definitely one of my favourites as it seems so realistic showing both the highs and lows that dancers experience on a regular basis.

I have been searching for a diverse New Adult novel that sensitively, and realistically tackles serious issues and Second Position perfectly fits the bill. I highly recommend this one.

Try it for yourself! Goodreads | Amazon | Amazon UK

Laura

Feature Friday - On Writing In Male POV

10 Jul 2015
Feature Friday is a feature on Bookish Treasures that spotlights an author through either a guest post or interview so that they can share something special about their books or their path to publication.

Today's feature is a guest post from author Lilly Avalon whose first New Adult book is releasing later this month and this is also the first time she has written in male POV.

Unexpected by Lilly Avalon



Synopsis

Ever had one of those days? Alina Lyons is having one. Everything keeps falling apart and going wrong. Just when she thinks it couldn't get worse, it does. After a case of mistaken identity and a broken heart, she finds herself questioning the things she thought she knew. She wonders who she can turn to or trust anymore.

An unlikely bond with her former best friend's ex, Ryan Wilcox, sends her life in a new direction. He offers her a place to stay while she gets her life back on track. His friendship is exactly what she's been missing—what she's been needing. Alina's never felt this alive. As time goes by, the dynamic of their relationship becomes more than either of them expected. A few innocent kisses could lead them in a new direction, but are they prepared for what's on the other side?

Only one way to find out.


Goodreads | Amazon | Amazon UK

On Writing in Male POV


Last year when I first started writing Unexpected, it was originally going to be in Alina's point of view only. I've written all my stories from female POV since I started. The majority of the books I've read are told from a female protagonist's POV, so it was fresh and clear in my head. There was something missing from the story, though, so I had to set it aside. I didn't pinpoint it until more than half a year later after I finished my fourth published story. The reason why Unexpected wasn't working was because it needed to be told from Ryan's POV, too.

This was a surprising (and exciting) revelation for me. I've read several stories told in dual POV and always wanted to take a stab at it myself. My biggest fear? Making Ryan's voice sound believable. I hadn't dabbled in it before Unexpected, and after writing from the POV of my female characters for so long, I needed to adapt. I was also afraid of bouncing back and forth between Alina and Ryan, and whether I could handle two points of view at once.

I had several scenes already written from before (all of which were in Alina's POV) so I had a lot to sift through and change. When I got to Ryan's first chapter, I tapped into the inner workings of his head. "If I were in Ryan's shoes, how would I be reacting? What would I be thinking? What would be driving my reactions and thoughts?" My female protagonists have all had male love interests, so I'm aware of the body language and the dialogue. His thoughts, however, were a different story.

His whole first chapter was something I had to spend extra time on. As I wrote his inner monologue, I would have to stop and think for a moment: "Is this really what he's thinking about? Why would he be contemplating this?" There were a couple times I felt like Alina's POV was seeping through, so I had to delete words, sentences, and paragraphs because they weren't right. I pressed on, digging deeper into Ryan's psyche. And then he spoke. I felt like I was finally there--Ryan was letting me in and I could visualize him better than before.

I still doubted myself, though. I decided after writing four chapters (two in Alina's POV and two in Ryan's) that I would send them to a trusted writer friend to make sure I was on the right track. It felt like I was, but as a writer it's always good to get a second opinion. The point of view is a major aspect of the story--you need to nail it or the whole thing could fall apart. My friend read the chapters and told me that I was definitely on the right track. I was relieved to hear that.

As I progressed through the story, I could perceive Ryan's personality more and more. When I asked the right questions, he gave me the answers I needed. His motivation was key--discern the motivation and get a clear answer to his actions. He surprised me on more than one occasion, but in a good way. By the time I reached the end, it felt like Ryan was part of me.

When you're writing in a new perspective, especially one you've never written in before, it does take time to develop a knack for it. One thing I attribute the success of Ryan's POV to is reading. Go out of your way to read several books told in either dual POV or male POV. Pay close attention to the male characters. That alone goes a long way when it comes to writing it. And when you are writing it, definitely ask your character as many questions as you can. You'll get the answers, not always immediately, but you will.

Writing in male POV was an experience for me. It felt daunting at first, but my confidence built up the more I kept at it. You learn a lot more about your characters when you have more than one perspective. It was a great change of pace and it expanded my repertoire. It was absolutely worth the effort to give it a try. I ended up enjoying the challenge and I know that this won't be the last male POV I write.

Feature Friday - An Interview With SF Said

3 Jul 2015
Feature Friday is a feature on Bookish Treasures that spotlights an author through either a guest post or interview so that they can share something special about their books or their path to publication.

Today's Feature Friday is very special to me due to the author involved. I have always said that here on Bookish Treasures we will feature books that are YA and up with exceptions made for particularly fantastic MG titles. Now this is one of those special exceptions. Back when I was about 10 years old (12 years ago now wow!) I read a fantastic book that quickly became a firm favourite of mine and to this day I still have it on my bookshelves as it is one of the only childhood books I cannot bear to part with (alongside Harry Potter and The Chronicles Of Narnia, with Watership Down being in my house somewhere). I am very happy today to welcome SF Said to Bookish Treasures to talk about this amazing book, Varjak Paw, and his newest release Phoenix.

Phoenix by SF Said



Synopsis

A BOY WITH THE POWER OF A STAR . . .

Lucky thinks he's an ordinary Human boy. But one night, he dreams that the stars are singing to him, and wakes to find an uncontrollable power rising inside him.

Now he's on the run, racing through space, searching for answers. In a galaxy at war, where Humans and Aliens are deadly enemies, the only people who can help him are an Alien starship crew – and an Alien warrior girl, with neon needles in her hair . . .

Goodreads | Amazon | Amazon UK

Check out Phoenix's book trailer!

Interview with SF Said


Why did you decide to become an author?
 
Stories have always been my favourite things, as long as I can remember.  The books I read when I was young shaped the way I saw the world, and they've stayed with me through my life. 
I always knew I wanted to be some kind of writer, and make stories of my own.  But I never found literary fiction very satisfying.  Then, when I was at university, I read and re-read lots of books for young readers, like Ursula Le Guin's Earthsea novels, and the amazing mythic stories written by Alan Garner and Susan Cooper.  
 
These were exactly the kinds of books I wanted to write: hugely powerful and page-turning stories with brilliant characters, richly-imagined worlds, and above all, big ideas about life and how it should be lived.  Books with a lot of depth and levels, that could be read at different ages in different ways.  So that was what I set out to do.
 
 
What made you decide to write for children?
 
I honestly believe that children's and YA fiction is where the richest, deepest and most imaginative writing happens.  It's where I find the books I most want to read.  And I think the best writing advice is to write the books you want to read yourself. 
 
Varjak Paw is a story about a cat who dreams of being a great warrior, and learns a secret martial art known only to cats.  That kind of thing just wouldn't be allowed in adult literature!  But in a children's book, it's fine.  And I wanted to read that story, so I had to write it myself.
 
Phoenix is an epic myth about a human boy who has the power of a star inside him, and an alien girl who's the greatest warrior in the galaxy.  Again, it's hard to imagine something like that on a Booker Prize list.  But I think children's literature can accommodate infinite possibilities; its imaginative space is just bigger.
 
I also love the idea that children's literature can be read by anyone of any age at any time in their lives.  So I think of myself of writing books for everyone.   It's always great to hear from adults who've read my work; and the nicest thing of all is when an adult tells me they enjoyed my books as a child, kept them, and still enjoy them now.  So thank you for saying that about Varjak Paw – you have no idea how much it means!
 
 
What are your favourite books?
 
Watership Down is probably my all-time favourite.  The Earthsea books still have a special place in my heart, as do all of Le Guin's books.   For classic children's literature, my list includes Rudyard Kipling's Jungle Books, E Nesbit's The Story Of The Treasure Seekers and Antoine de Saint-ExupĂ©ry's The Little Prince.  Of more recent books for young readers, I think Philip Pullman's His Dark Materials sets the bar in terms of what imaginative fiction can do. 
 
As far as adult literary fiction goes, I'm a huge fan of Virginia Woolf, and the way she puts words and sentences together.  Mrs Dalloway and To The Lighthouse are incredible novels.  But for me, there aren't that many writers working at that level.  Whereas the history of children's literature is just full of incredible authors, and there are more coming through all the time.
 
 
Your books are very unique in terms of both the worlds and storylines, where do you get the ideas for them?
 
Thank you!  Phoenix started with me looking up at the stars.  Stars are amazing, and the more we learn about them, the more amazing they seem.  Everything that exists, including every single atom in our bodies, originated in the heart of a dying star.  I think that's incredible.  Stars are part of an endless cycle of life, death and rebirth, and that's one reason why I called the book Phoenix.  But the book also connects space science with ancient mythology.  It goes back to all the mythic pantheons – Greek gods, Roman, Norse, Egyptian and so on – and tries to see if they have a shared common origin, and what that might be.
 
By contrast, Varjak Paw started with something very small: me watching my own kitten as he climbed the garden wall and went out into the world on his own for the first time.  I found his adventures fascinating, as he met gangs of street cats, and of course dogs.  I think the lives of cats in cities are full of drama, and even though the scale is small, the drama is huge.
 
 
What is next from the brilliant mind of SF Said?
 
I've been working for the last two and half years on a new book called TYGER.  I can't say too much about it, as my books always change a lot as I work on them, and no-one else has yet seen a word of it…  but let's just say there's a tyger in it – as in William Blake's brilliant poem The Tyger, which is a huge inspiration to me.
 
  
What would you say makes your books unique and worth reading?
 
I put everything I know and everything I love into my books.  I don't think of them in terms of age or genre.  While they may be shelved in MG or YA, and while they may have sci-fi or fantasy or animal story elements, I just think of them as my books.  They're places where I can put anything I find interesting or meaningful or magical.  I know that no writer can please every reader – but I hope that whoever you are, however old you are, and whatever kind of story you think you like, you'll at least find something of interest in there.
 
Who is your favourite character from either Varjak Paw or Phoenix?
 
That's really hard for me to say.  In each book, I put a lot of thought into trying to create a diverse range of characters of different genders, ages, backgrounds and so on.  I hope this means that everyone can find someone to identify with, so I love the fact that readers always give me such different answers to this question. 
With the Varjak Paw books, people don't just say their favourite character is Varjak.  Lots of people say it's Holly or Tam, or Cludge, or Razor, or even Sally Bones…  And the same seems to be happening with Phoenix.  Lots of people say they like Lucky, the human boy; but just as many say they like Bixa Quicksilver, the alien warrior girl.  That makes me feel I must be doing something right.
 
 
What is your favourite thing about being an author?
 
I have to be honest, I don't enjoy everything about it.  In fact, it's much harder work than I ever dreamed it would be.  Varjak Paw took 17 drafts.  Those 17 drafts took five years of my life.  Phoenix took even longer: seven years!  As you can imagine, there've been many times when writing has felt very hard, and I've wanted to give up more than once.  But I'm glad I persevered, because when I look at those books now, I don't see anything I want to change.  They're as good as I could possibly make them.  And all that hard work feels worthwhile when I hear from people who've read them and enjoyed them. 
 
So that's my favourite thing about being an author!  It means so much to hear that something you wrote meant something to someone else, too.
 
 
How do you balance writing with other things in your life?
 
I think every writer works differently, so the best advice I can give anyone interested in writing is to find what works for you, and do that.  It may be different to what works for anyone else.  You can only find it by writing yourself.
Having said that: the thing that works best for me is having a daily routine.  I like to go to my local library first thing in the morning, and write till lunchtime.  I usually get a good amount of work done that way.  Then in the afternoon, I either do another session if I'm free, or I do all the other work-related things I do that are not writing: visiting schools and meeting readers, updating my blog and twitter, doing interviews, and so on.  I try to keep evenings free for relaxing, though my idea of relaxing often involves reading a book, and that always feeds back into the writing!
 
If you could meet any one author (dead or alive) who would it be and why?
 
Ursula Le Guin, because I'd like to thank her for her incredible books, and her inspirational example. I think she's a model of how to be a writer.  Even now in her 80s, she's still producing work of the highest quality.  Every single one of her books is worth reading: full of amazing ideas and characters and worlds. 
 
 
What is your favourite food?
 
Chocolate.  So I was delighted when Varjak Paw won the Smarties Prize for Children's Literature.  I thought a free lifetime supply would surely follow.  I still can't get over the fact that it didn't!
 
 
You can find out more about SF Said and his writing over on his website.